Ubuciko Nezokuvakasha: Izithombe zisisebenzisa kanjani

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ubuciko nezokuvakasha

Njengoba ubhadane luqhubeka futhi ngasikhathi sinye njengoba impilo iqala kancane ukubuyela emuva ngezigaba, i-Italy izithola ijabulela ukuvulwa kabusha kweminyuziyamu yesizwe. Lokhu kunikeza ubuciko nethuba lokunikeza impilo.

  1. Kukhona njalo inkhulumomphendvulwano esungulwayo phakathi komsebenzi wobuciko nombukeli wawo.
  2. Ababukeli beqa umngcele ohlukanisa umhlaba wethu nalowo womdwebo.
  3. Ubukhulu obukhangayo nobuyindida bobudlelwano phakathi kwesithombe nokubuka buyavezwa ekugcineni.

Ukuvulwa kabusha kweminyuziyamu engxenyeni enkulu yendawo yase-Italy okubuyisa ubuciko nezokuvakasha kuvule inhlansi yokukhanya nethemba esikhathini eside nesinenkathazo sobhadane lwe-COVID-19 olusaqhubeka. Kuyithuba lokukhululeka kokuziphatha nangokomoya kwabathandi bezobuciko base-Italiya nabakwamanye amazwe asebephoqeleke izinyanga ukuphupha ngokuthola ingxenye yenkululeko yabo elahlekile.

Ubuciko buyabuyisela empilweni, kanye nombukiso weBarberini Corsini National Galleries eyenganyelwe nguMichele Di Monte kukhombisile lokhu ngokuhamba kwezivakashi okuhehewe yisikhalazo esikhangayo esithi "Izithombe zisisebenzisa kanjani" - impicabadala yemidwebo yobuciko engama-25 yokudweba eyenzeka phakathi kwekhulu leshumi nesithupha neshumi nesishiyagalombili leminyaka .

“Umbukiso,” kusho uFlaminia Gennari Santori, uMqondisi weMnyuziyamu, “ujulisa ulwazi lwemisebenzi eqoqweni ngomnikelo obalulekile, futhi futhi kuthuthukisa inqubomgomo yokuhwebelana neminye iminyuziyamu okuhloswe ngayo ukuqinisa indima ebalulekile edlalwe yimiphemezi ezingeni likazwelonke nakwamanye amazwe. ”

Eminye isebenza ngokuqoqwa kwemibukiso kazwelonke, yimalimboleko evela eminyuziyamu ebalulekile, kubandakanya iNational Gallery eLondon, iPrado Museum eMadrid, iRijksmuseum e-Amsterdam, iRoyal Castle eWarsaw, i-di Capodimonte eNaples, i-Uffizi Gallery e UFlorence, neGalari YeSavoy eTurin.

Endleleni enqamula ngobuciko obungama-25, lo mbukiso uhlose ukuhlola izinhlobo zaleyo ngxoxo engaconsi phansi ehlala isungulwa phakathi komsebenzi wobuciko nombukeli wawo njengoba kunwetshwa ngemidwebo.

Uma ubuciko buhlale buqondiswa kuzethameli, lesi sikhalazo asikhawulelwe ekubukekeni okulula kepha sidinga ukubamba iqhaza nokusebenzisana okusebenzayo.

Ngemuva kwesingeniso esivumelana nesihloko sombukiso, ngombukiso wobuciko obubuciko bukaGiandomenico Tiepolo obuvela ePrado Museum, "Il Mondo Novo," umbukiso uhlukaniswe izigaba ezi-5.

Emkhakheni wokuqala, “Umbundu,” amawindi, amafreyimu, namakhethini kusimema ukuba siwele umngcele ohlukanisa umhlaba wethu nalowo womdwebo; njengoba kwenzeka ku "Girl in a Frame" ekhangayo nguRembrandt, evela eRoyal Castle eWarsaw ebonakala ngathi isilindele ngaphesheya kwesithombe.

Lesi simemo esicashile siyacaca esigabeni esilandelayo, "Isikhalazo," lapho kusebenza khona isithombe esinjengesithi "Sofonisba Anguissola" sombongi uGiovan Battista Caselli, "Venus, Mars noLuthando" lukaGuercino, noma "La Carità" (the Charity ) nguBartolomeo Schedoni abhekiswe ngokusobala kumbukeli futhi afuna ukunakwa kwakho.

Ezingxenyeni ezi-2 ezimaphakathi, "Abangaqondanga" kanye "nesandla," ukubandakanyeka kwesibukeli kuba okucashile, okungaqondakali, okuyimfihlo, nokuhlazisayo. Isethameli sibizelwa ukuthi sime kulokho esikubonayo, futhi kokunye okungafanele sikubone, njengakwi-winking kaSimon Vouet ethi “Sikufisela inhlanhla,” eyenga uJohann Liss ethi “Judith and Holofernes,” noma “Ukudakwa KukaNowa” ngu-Andrea Sacchi.

Umbukiso uphetha ngesigaba esizinikele ku "Voyeur" lapho ubukhulu bezinkanuko nobucayi bobudlelwano phakathi kwesithombe nokubuka kugcina kwembuliwe. Emidwebeni ka “Lavinia Fontana,” uvan der Neer noma u-Subleyras, i-voyeur, akabheki nje kuphela lokho okushiwo isifiso sakhe kodwa futhi uthola nesenzo sokubukeka kwakhe, ukuba isibukeli ngokuphelele.

Nakhu ukushaya i-coronavirus futhi nokuletha ubuciko, ukuhamba, nokuziphilisa uqobo.

#ukwakha kabusha

LOKHO ONGAKUTHATHE KULESI SIHLOKO:

  • Eminye isebenza ngokuqoqwa kwemibukiso kazwelonke, yimalimboleko evela eminyuziyamu ebalulekile, kubandakanya iNational Gallery eLondon, iPrado Museum eMadrid, iRijksmuseum e-Amsterdam, iRoyal Castle eWarsaw, i-di Capodimonte eNaples, i-Uffizi Gallery e UFlorence, neGalari YeSavoy eTurin.
  • “The exhibition,” says Flaminia Gennari Santori, Director of the Museum, “deepens the knowledge of the works in the collection with a valuable contribution, once again enhancing the policy of exchanges with other museums aimed at strengthening the key role played by the galleries at [the] national and international level.
  • The reopening of museums in most of the Italian territory bringing back art and tourism has opened a glimmer of light and hope during the long and troubled period of the COVID-19 pandemic still in progress.

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Mayelana umbhali

UMario Masciullo - eTN Italy

UMario ungumakadebona embonini yezokuvakasha.
Ulwazi lwakhe lusabalele emhlabeni wonke kusukela ngo-1960 lapho eneminyaka engu-21 eqala ukuhlola eJapane, eHong Kong naseThailand.
UMario ubone iWorld Tourism ithuthuka futhi wabona ubufakazi be-
ukubhujiswa kwempande / ubufakazi besikhathi esedlule senani elihle lamazwe ngokuthanda ubungqingili / inqubekela phambili.
Eminyakeni engama-20 edlule isipiliyoni sohambo lukaMario selugxile eSouth East Asia futhi ngokuhamba kwesikhathi sifake i-Indian Sub Continent.

Ingxenye yesipiliyoni somsebenzi kaMario ifaka imisebenzi eminingi kwi-Civil Aviation
field yaphetha ngemuva kokuhlelela i-kik off eMalaysia Singapore Airlines e-Italy njenge-Institutor futhi yaqhubeka iminyaka eyi-16 endimeni ye-Sales / Marketing Manager e-Italy ye-Singapore Airlines ngemuva kokwehlukana kohulumeni ababili ngo-Okthoba 1972.

Ilayisense esemthethweni ye-Journal ka-Mario yi-"National Order of Journalists Rome, Italy ngo-1977.

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